Video by Radoslav Sharapanov
Performed at the Iskar Cultural Centre (Дом на Културата Искър), a place which means a lot to me. This is where I first performed live as a child.

Church of Tenderness 26/02/2026
Video by Radoslav Sharapanov
Performed at the Iskar Cultural Centre (Дом на Културата Искър), a place which means a lot to me. This is where I first performed live as a child.
“They threw off their clothes, and he gathered her to him, and found her, found the pure lambent reality of her forever invisible flesh. Quenched, inhuman, his fingers upon her unrevealed nudity were the fingers of silence upon silence, the body of mysterious night upon the body of mysterious night, the night masculine and feminine, never to be seen with the eye, or known with the mind, only known as a palpable revelation of living otherness.
She had her desire of him, she touched, she received the maximum of unspeakable communication in touch, dark, subtle, positively silent, a magnificent gift and give again, a perfect acceptance and yielding, a mystery, the reality of that which can never be known, vital, sensual reality that can never be transmuted into mind content, but remains outside, living body of darkness and silence and subtlety, the mystic body of reality. She had her desire fulfilled. He had his desire fulfilled. For she was to him what he was to her, the immemorial magnificence of mystic, palpable, real otherness.”
D.H. Lawrence, Women in Love
“Mingle your salivas, happy pair, feel the excitation of the membranes of your lips provoke, as in the sympathy of the unstruck lyre string for the string struck, the tingling of other membranes and soon a demented act of obedience to the goddess which culminates in a vocable of prayer in a universal language. This is religious enough: the fire of a sort of beneficient hell transormed into a heaven from which God is absent, and then the coolness of a limbo whose name is gratitude. Venus exists, whatever the rabbis say. This was as good a celebration of the Sabbath as any.”
Anthony Burgess, The Kingdom of the Wicked
One of the pieces I wrote for Jack Rosie’s short film VENTURE.
I hope it helps you defeat your agoraphobia.
I wrote the score for Jack Rosie’s short film VENTURE.
Jack is a young British filmmaker who recently graduated from Bournemouth University.
I definitely look forward to seeing what he does next.
Thank you Corner Cafe Hangzhou for a wonderful experience.
For some reason, I’ve always felt my music is meant to be experienced in a place filled with books and candles. Definitely looking forward to playing there again.
All photos by Martina
You don’t need to speak Bulgarian to enjoy this. I hope you will.
This morning I played live on Bulgarian National Television. Click here to see how I did.
This song means a lot to me, especially this part:
Let your children crawl all over me
Like I need to prove I don’t deserve you
I saw Tindersticks live in Copenhagen last October and was absolutely mesmerized.
“Six months from now her baby would be born. Something that had been a single cell, a cluster of cells, a little sac of tissue, a kind of worm, a potential fish with gills, stirred in her womb and would one day become a man – a grown man, suffering and enjoying, loving and hating, thinking, remembering, imagining. And what had been a blob of jelly within her body would invent a god and worship; what had been a kind of fish would create and, having created, would become the battleground of disputing good and evil; what had blindly lived in her as a parasitic worm would look at the stars, would listen to music, would read poetry. A thing would grow into a person, a tiny lump of stuff would become a human body, a human mind. The astounding process of creation was going on within her; but Marjorie was conscious only of sickness and lassitude; the mystery for her meant nothing but fatigue and ugliness and a chronic anxiety about the future, pain of the mind as well as discomfort of the body. She had been glad, or at least she had tried to be glad, in spite of her haunting fears of physical and social consequences, when she first recognized the symptoms of her pregnancy.”
Aldous Huxley, Point Counter Point